Politico has an article today reporting that Republicans are disappointed that Sonia Sotomayor’s nomination to the Supreme Court hasn’t turned out to be “the political lightning rod some in their party had hoped she would be.”
Of course, that just means that right-wing groups will just have to try that much harder:
Curt Levey, executive director of the conservative group Committee for Justice, said senators are often slow to get into politically thorny fights — and do so only after a passionate showing by their base. Levey said he expects GOP senators to gear up for the fight, particularly during the confirmation proceedings. And he said that he is pushing the Republicans hard to delay a final Senate confirmation vote until after the monthlong August recess, to give opposition groups enough time to spotlight any controversial statements Sotomayor makes during the hearings.
“She is sort of like a Robert Bork: She’s very opinionated, and when she should be silent, she isn’t,” Levey said.
Speaking of Bork, the Wonk Room points us to this new interview with him and, shockingly, he doesn’t like Sotomayor … or pretty much anyone else for that matter:
What are your thoughts about Judge Sotomayor’s nomination?
I think it was a bad mistake. Her comments about the wise Latina suggest identity-group jurisprudence. She also has a reputation for bullying counsel. And her record is not particularly distinguished. Far from it. And it is unusual to nominate somebody who states flatly that she was the beneficiary of affirmative action. But I can’t believe she will be any worse than some recent white male appointees.
Anyone you’d care to name?
I could, but you don’t want the estate of these people suing me, do you?
As it’s currently composed, this is sometimes called a conservative court.
I don’t see it at all. It’s a very left-leaning, liberal court.
Could you elaborate? Compared to what?
Well, compared to what the Constitution actually says. They tend to enact the agenda or the preferences of a group that thinks of itself as the intellectual elite.
Frankly, the fact that Bork sees nothing he likes in Sotomayor is a huge positive in her favor considering that, since his own defeat to the Supreme Court in 1987, he’s become a certified crank:
Robert Bork has carved out a niche for himself as an acerbic commentator on the Supreme Court, as well as various cultural issues. In fact, to Bork the two topics are closely related and the Supreme Court’s “illegitimacy” and its departure from the Constitution are in many ways responsible for our growing “cultural depravity.”
According to Bork, we are rapidly becoming a fragmented society that has totally lost its nerve and is now either unwilling or unable “to suppress public obscenity, punish crime, reform welfare, attach stigma to the bearing of illegitimate children, resist the demands of self-proclaimed victim groups for preferential treatment, or maintain standards of reason and scholarship.” Abortion, technology, affluence, hedonism, and modern liberalism are gradually ruining our culture and everywhere you look “the rot is spreading.”
Bork has denounced the public education system that “all too often teaches moral relativism and depravity.” He considers sensitivity training to be little more than “America’s version of Maoist re-education camps.” He has shared his fear that recognition of gay marriage would lead to accommodation of “man-boy associations, polygamists and so forth.” And he has criticized the feminist movement for “intimidat[ing] officials in ways that are destructive of family, hostile to masculinity, damaging to the military and disastrous for much education.”
It appears as if almost everything within contemporary culture possesses the capacity to offend Bork. He attacks movies for featuring “sex, violence and vile language.” He faults television for taking “a neutral attitude toward adultery, prostitution, and pornography” and for portraying homosexuals as “social victims.” As for the art world, most of what is produced is “meaningless, uninspired, untalented or perverse.” He frets that the “pornographic video industry is now doing billions of dollars worth of business” and the invention of the Internet will merely result in the further indulgence of “salacious and perverted tastes.” When it comes to music, “rock and rap are utterly impoverished … emotionally, aesthetically, and intellectually.”
More to the point, Bork is not content merely to criticize; he wants the government to do something about it. “Sooner or later,” he claims “censorship is going to have to be considered as popular culture continues plunging to ever more sickening lows.” So committed is he to this cause that he dedicated an entire chapter in his 1996 book Slouching Toward Gomorrah to making “The Case for Censorship.” In it, he advocates censoring “the most violent and sexually explicit material now on offer, starting with obscene prose and pictures available on the Internet, motion pictures that are mere rhapsodies to violence, and the more degenerate lyrics of rap music.”
When asked by Christianity Today about how he would decide what should and should not be censored, Bork announced: “I don’t make any fine distinctions; I’m just advocating censorship.”
